Paul says it better and more succinctly than I could. I too teach high school drama and English. But despite our own attitudes toward what ought to be happening in a classroom, I always have the impression that those of us who believe and teach in this way are in the a minority. I only seem to meet the teachers who care -- either online, or at conferences and AP English Exam readings, or through my state NCTE affiliate. But everyone tells me the other sorts of teachers are out there. Some may care passionately for tradition, others without passion or care. I honestly feel it's hard to tell where the majority stands, without appealing to past beliefs and experiences as justification. Books continue to be written demonstrating through transcripts of classroom interactions between teachers and students what really goes on in a limited number of classrooms, and attempting to generalize through small sample sizes what the country's English teachers are doing. Such reports usually serve to convince me that I'm doing something right.

I also know that what looks great in a book, in an email, or in my own plans sometimes looks different in the classroom practice -- where I catch myself falling into an old pattern that doesn't mesh with the critical and independent thinking I prize so highly. I hope this year I can get some peer evaluators to watch and see if I practice what I preach.
 
Gordon Hultberg

At 08:22 PM 08/16/2006, you wrote:
Peter Adams raised an interesting issue with: "In fact, I am wondering why the role of English teachers seems to always be to slow down this process and defend the traditional conventions." Is this really the role of English teachers? What do others think about this?
 
Personally, I don't see myself as a defender of traditional conventions at all. I suspect that many of my colleagues in the high school English classroom feel the same as I do. I rather see the English teacher in me as a promoter/fascilitator of deep thinking (and critical and creative thinking) through the disciplines of reading, writing, listening, and speaking. Grammar instruction is one item in the toolbox, albeit an important one (and a too often neglected one at that). However, it's not for me so much as a teaching of convention as it is a teaching of the way language works -- as a means towards better/deeper thinking in these four disciplines.
 
I'd add that as a drama teacher, grammar is important in a similar way. When I ask my acting students to point up the nouns or "play to (or 'with' or 'on')" the verbs, I need first to make sure they know what these words are. My goal for them, however, is not grammatical, but theatrical -- I want them to make the language meaningful and rich, and to bring the text across clearly to the audience.
 
Paul D.
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