Hi Scott,

 

Many poets, such as Denise Levertov, William Carlos Williams, Robert Creeley, and others, have written impressionistically about the pausal factors involved in line endings and gradations of punctuation marks. Levertov, in several essays on organic form and the poetic line, tries to develop a specific system by which a comma gets about a half-pause whereas a full stop gets a full pause or breath; however, one might say such exact correspondences are more theoretical than practical (e.g., what about a comma at the end of a line as opposed to line-medially? etc.).

 

Unfortunately, versification texts don’t tackle this territory in any organized way since the underlying phenomena—intonation—is not well understood by traditional prosodists. You can gain some purchase by looking to basic books for nonlinguists on intonational phonology; a particularly good introduction is Paul Tench’s The Intonation Systems of English.

 

This happens to be my research interest, so I would be glad to help you in any way I can off-list. I have not written broadly on the topic, but some of my work on William Carlos Williams explains the idea of intonation relevant to poetry and you might find it helpful for thinking about how tone functions within single statements (and thus why your students are dropping the tone on a line-final word) as well as between punctuated word groups.

 

And here’s a fun quote for your students in the meanwhile (it is from memory and so perhaps not exact): “What else is verse made of, but words, words, words? Quite literally, the spaces between the words which take an equal part in the measure” –W. C. Williams

 

Best wishes,

Natalie Gerber

SUNY Fredonia

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From: Assembly for the Teaching of English Grammar [mailto:[log in to unmask]] On Behalf Of Scott Woods
Sent: Sunday, October 07, 2007 6:25 PM
To: [log in to unmask]
Subject: Teaching students how to read poetry

 

Listmates,

In the process of teaching my 7th graders how to read poetry out loud, I noticed that, for many of them, they paused at the end of each line, regardless of its punctuation, and lowered the tone of the last word as though it were followed by a period.   I found this problem diminished when I worked with my students to distinguish the sound of a word followed by a period from that word followed by a comma, semicolon, or colon.  For instance, "The boy went to the store. He bought a loaf of bread. Then he went home." is pronounced differently from "The boy went to the store; he bought a loaf of bread; then he went home."  Or in "Buy several items at the store." store is pronounced differently from store in "Buy several items at the store: bread, soap, and milk."

 

Does anyone know of any research relating to this phenomenon and its relationship to instruction? Have others noticed this?

 

Scott Woods

 


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