Bill,
I think you’re right, but
I’m left with the problem of describing what speakers do. What usages
would provide evidence of pronominal function? The one from the Bay Psalm
Book is, I think, an odd if unequivocal example. Does “that’s”
provide such evidence? It certainly is attractive, but since “that”
cliticizes to the head noun and “’s” cliticizes to that
sequence it’s not a compelling case. I think we’ve
disagreed on this one already.
So do speakers have separate,
conflicting grammatical descriptions? That’s certainly not unheard
of between registers of dialects. Or do they have a productive grammar
that treats “that” grammatically as a conjunction and a perceptive
grammar that somehow regards it as a pronoun? What evidence can we find
of the latter? And what weight does a strong conviction on the part of a
grammatically sophisticated speaker that “that” is a pronoun have
in shaping a grammatical description?
We get into an uncertain and
very interesting area of linguistics here, where standards of evidence are in
question, as well as domains of grammars, whether productive, perceptive, both,
or even impressionistic. Like the old terra incognita, here there be tygers.
Herb
From: Assembly for the
Teaching of English Grammar [mailto:[log in to unmask]] On Behalf Of Spruiell,
William C
Sent: 2009-02-19 16:28
To: [log in to unmask]
Subject: Re: relative "that" again
Herb,
On the same general point --
acting on a suggestion from a colleague, I checked the archives of LinguistList
for a discussion of “that’s” as a substitute for
“whose.” There was a thread on it in ’93 apparently (http://listserv.linguistlist.org/cgi-bin/wa?A2=ind9302B&L=linguist&P=R1681);
it’s an attested form, at least.
Of course, there’s a difference
between trying to decide the best way to represent something in a general
grammar and deciding how to represent what a particular speaker seems to be
doing at a particular time; any grammar of “English” is going to be
an abstraction based on lots of Englishes (and I don’t mean that as a
statement about the competence/performance distinction – it’s just
about the logistics of descriptive grammars). From a theoretical (rather
than descriptive) standpoint, though, it’s possible that speakers simply
adopt multiple representations of structures like this at the same time, so
it’s a kind of conjunction and a kind of pronoun, at least to
some, with one version being weighted more than the other as the situation
demands.
Bill Spruiell
Dept. of English
Central Michigan University
From: Assembly for the
Teaching of English Grammar [mailto:[log in to unmask]] On Behalf Of STAHLKE,
HERBERT F
Sent: Wednesday, February 18, 2009 11:19 PM
To: [log in to unmask]
Subject: relative "that" again
This evening I was directing my church choir in a rehearsal
of Millard Walker’s setting of Psalm 121 (Brodt Music Company
1966). The text is the metrical version of the psalm from the Bay Psalm
Book (1640). The Bay Psalm text is
1
I to the hills lift up mine eyes,
from whence shall come mine aid.
2 Mine help doth from Jehovah come,
which heav'n and earth hath made.
3 He will not let thy foot be moved,
nor slumber; that thee keeps.
4 Lo he that keepth Israel,
he slumbreth not, nor sleeps.
5 The Lord thy keeper is, the Lord
on thy right hand the shade.
6 The sun by day, nor moon by night,
shall thee by stroke invade.
7 The Lord will keep thee from all ill:
thy soul he keeps alway,
8 Thy going out, and thy in come
the Lord keeps now and aye.
http://www.cgmusic.com/workshop/baypsalm_frame.htm
It has been observed that the translators and versifiers of
the Psalter did not include poetry among their virtues, sacrificing grammar and
sometimes sense on the altar of meter and rhyme. I suggest comparing this
with a good modern translation, my choices being the New Revised Standard Version
and The New Jerusalem Bible.
What struck me this evening, though, was verse 3.
3
He will not let thy foot be moved,
nor slumber; that thee keeps.
I have and still do maintain firmly that there is no
grammatical evidence to support the claim that “that” used at the
beginning of a relative clause is a pronoun and not simply a subordinating
conjunction. Combine a grammarian with a choir director, however, and the
thought interrupts maintaining the beat that this instance of relative
“that” feels very pronominal, and not just in the impressionistic
sense that Craig and others have expressed. This is the only instance of
relative “that” I have encountered where “that” must be
stressed. We rarely stress “that” as a subordinating
conjunction, whether in a relative or a content clause. Here, however,
the meter, so slavishly followed by the writers, requires us to stress
“that.” It’s an iambic line, and “that”
bears the ictus of the second foot. This also appears to be a case of a
headless relative clause, as in “Who laughs last laughs best,” and
headless relatives must begin with pronouns, usually wh-words. Of course,
if “that” is a pronoun in this case, and it does look like one, it
violates the notion that “that” refers only to non-humans. Of
course, “which” in v. 2 refers to Jehovah, not a human, but still a
person, but Early Modern English did allow that use of
“which.” Those of you familiar with older editions of the
King James Version remember “Our Father which art in heaven” as the
opening of the Lord’s Prayer.
So there are two strong, grammatical reasons for considering
this instance of relative “that” to be a pronoun. It’s
stressed (the subordinator “that” never is), and it introduces a
headless relative, which only pronouns can do.
Now, is this a quirk of bad Puritan poetry? Even if
so, the construction had to feel possible or even these violators of grammar
and sense wouldn’t have used it.
This instance demonstrates that there is a case in a strange
bit of mid-17th c. verse of relative “that” used in a
way that can only be considered a pronoun. The evidence in Late Modern
English remains overwhelming that we no longer do so, if English speakers ever
actually did.
But it’s a delightful quandary. It simply bears
out the truth of Jim McCawley’s sense that language never ceases to
fascinate.
Herb
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