Hollywood Intermediate Inc.
(SYM : H Y W I) 

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H o l l y w o o d  I n t e r m e d i a t e provides a proprietary technology of Digital Intermediate services to feature filmmakers for post-production for film mastering and restoration. This technology gives the filmmakers total creative control over the look of their productions. Whether shooting on film or acquiring in HD or SD video, H o l l y w o o d  I n t e r m e d i a t e puts a powerful cluster of digital tools at the director's disposal to achieve stunning results on the big screen. Matchframe Digital Intermediate, a division of H o l l y w o o d  I n t e r m e d i a t e, Inc., packages a full array of post-production services with negative handling expertise and cost-effective 2K digital intermediate and 35mm film out systems. The Digital Intermediate process eliminates current post-production redundancies by creating a single high-resolution master file from which all versions can be made, including all theatrical and High Definition formats. By creating a singl!
 e master file with resolution higher than the current High Definition broadcast standards, the DI master file enables cinema and television distributors to extract and archive all current and future cinema and television formats including Digital Cinema, Television and High Definition.


Red H0t News:

Hollywood Intermediate Announces Completion of Work on Several Digital Intermediates by Senior Colorist Julius Friede GLENDALE, CA--(MARKET WIRE)--Jun 21, 2006 -- Hollywood Intermediate, Inc. (Other OTC:HYWI.PK - News) a provider of digital intermediate film mastering services announced today that Julius Friede, senior colorist at its Matchframe Digital Intermediate division, has completed work on several digital intermediates in the last three months, including "Journey to the End of the Night," directed by Eric Eason, "The Sensation of Sight," directed by Aaron Wiederspahn and shot by Christophe Lanzenberg, and "Beautiful Ohio," directed by Chad Lowe, and shot by Steve Kazmierski.

H o l l y w o o d  I n t e r m e d i a t e a provider of digital intermediate film mastering services, announced today that that its Matchframe Digital Intermediate (MDI) division is completing a digital intermediate for Chad Lowe's directorial debut, "Beautiful Ohio," starring William Hurt and Rita Wilson. READ MORE THIS IS HUGE

H o l l y w o o d  I n t e r m e d i a t e Expands the Creative Palette for Independent Filmmakers GLENDALE, CA--(MARKET WIRE)--May 31, 2006 -- H o l l y w o o d  I n t e r m e d i a t e, Inc. A provider of digital intermediate film mastering services, announced today that its Matchframe Digital Intermediate division is currently providing full digital intermediate services for Super 16MM productions.

H o l l y w o o d  I n t e r m e d i a t e, Inc. (H_Y_W_I.PK - News), a provider of digital intermediate film mastering services, announced that High Definition preview masters as part of its normal digital intermediate service offerings and workflow.

"Typically, in current post-production workflow, HD dailies masters are edited into high quality preview masters including color timing, dirt removal, opticals and visual effects," said David Waters, H o l l y w o o d  I n t e r m e d i a t e president. "Unfortunately, none of these processes translate to the theatrical release of the film as they must all be duplicated or repeated in either a higher resolution digital format, or photo chemical process."

H o l l y w o o d  I n t e r m e d i a t e gives Motion Picture producers the ability to scan their selected original camera negative at 2k or 4k film resolution, conform a high resolution digital master for theatrical and broadcast release including dirt removal, opticals and visual effects, and output a High Definition preview master to be used for preview screenings and focus groups that can be deployed in any worldwide theater location.

"The challenge for completing the final editorial decisions on a motion picture are balanced between the ability to display the highest resolution picture for a test audience, and the costs and time in having to re-master your film based on a test audience response," said Jim Delany, H o l l y w o o d  I n t e r m e d i a t e COO.

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