YOU ARE CORDIALLY INVITED...PLEASE SPREAD THE WORD...AND REGISTER NOW for

The New York Folklore Society's June 2006 Symposium on New Archival and Ethnographic Technologies

 

Register now by contacting Eileen Condon at [log in to unmask] (845-489-7914) or Ellen McHale at [log in to unmask] (518-346-7008).

 

When:    Friday, June 9th, 2006 

                 9:30 to 3:30  with lunch on site

                 (Registration is free--$11 charge

                for l unch buffet can be paid

                at the S ymposium)   

 

Where:   The Henry A. Wallace Center at the FDR Presidential Library and Home in Hyde Park, NY.  The Wallace Center is on Route 9 and a short distance from the Poughkeepsie and Rhinebeck train stations.  Further information on the site available at: http://www.fdrlibrary.marist.edu/index.html 

 

Our Keynote Speaker on New Archival and Ethnographic Technologies is Dr. Michael Frisch , Professor of History & American Studies and Senior Research Scholar, at the University at Buffalo, SUNY.  Frisch is Principal of The Randforce Associates LLC, based in the UB Technology Incubator, where he has been pioneering new ways of digitally indexing audio and video documentation.  Working initially to extend the uses of Interclipper, digital indexing software developed for market research, the Randforce team is now combining a variety of digital tools to meet the diverse challenges of projects that range from oral history to ethnographic collections to qualitative analysis in public health and social science.  His presentation will explore the transformative implications of new capacities for working with audio and video documentation.

 

During the symposium, participants in the 2005 NYFS DHP (Documentary Heritage Program) Initiative, a grant-funded statewide archive appraisal and improvement project, will be given time to meet and discuss their experiences.  We also plan to devote an afternoon session to learning more about the Ethnographic Thesaurus Project at the Library of Congress.  Frisch's abstract and bio are given below. 

Tentative Schedule:  9:00-9:30 Welcomes from NYFS Staff and FDR Library Archivist Bob Clark; 9:30-10:30 Tour of FDR Presidential Library and Museum; 10:45-11:30 Keynote Presentation by Mike Frisch; lunch 11:45-12:45; 1-1:45 Q&A+Demonstration of Applications of Interclipper Software; 2-2:45 Presentation of Ethnographic Thesaurus Project by Cathy Kerst, Library of Congress; 2:45-3:30 Feedback and Discussion for DHP program participants.

 

The New Archival and Ethnographic Technologies Symposium is one culmination of New York Folklore Society's DHP Archive Appraisal and Improvement Initiative.  Archivists and folklorists participating in the DHP Initiative in 2005 and 2006 are cordially invited to attend, along with archivists, oral historians, and folklorists at other institutions and organizations across the state.  We thank the FDR Library and Home for their willingness to host our symposium at the Wallace Center.

 

Keynote Abstract:

 

Putting the “Oral” Back in Oral History and Other Recuperations of The Primary, or, How Emerging Information Technologies Transform Folkloric, Ethnographic, and Oral History Collections

 

Audio and video documentation is conventionally encountered in one of two states-- relatively “raw,” in archived collections, and relatively “cooked,” in constructed, selective, and linear documentary forms. In this presentation, I will discuss and demonstrate how new digital tools open an important non-linear, multi-pathed ground between these poles. By permitting direct indexing, cross-referencing, and searchable access to audio and video documentation—to collections of recorded voice or music and, in video, to bodies, gestures, performance, and non-verbal demonstrations--these tools stand in sharp contrast to conventional modes grounded in the limited (and limiting) world of text transcription and broad-brush content summaries. 

 

Because audio/video indexing means the entire content can be usefully, intelligently, and instrumentally mapped and searched, archival documentation becomes something more than a “raw” collection. And the same tools make it much easier to “cook” -- to explore a collection, select and order meaningful materials, and export them instantly for a range of presentational or analytic purposes.  In this way, documentary exploration and representation becomes a far more democratically sharable process.

 

I will argue these dramatic new tools restore the rich primacy of audio and video documentation in folklore, ethnography, and oral history collections, leading to powerfully transformative dimensions of analysis, utility, engagement, and presentation.  As such, they promise to narrow dramatically the distance between the archival and the scholarly, at one end, and public access, educational use, and community engagement at the other.

 

Michael H. Frisch is Professor of History & American Studies/ Senior Research Scholar at the University at Buffalo, SUNY.  He is an American social and urban historian who has been involved for many years in oral and public history projects, often in collaboration with community history organizations, museums, and documentary filmmakers.  His urban history and public/oral history interests came together in Portraits in Steel (1993), a book and associated GANYS exhibit in collaboration with the noted documentary photographer Milton Rogovin. The project documented in oral history and photographic portraiture the lives of Buffalo area steelworkers before and after the plant closings of the 1980s; it received the Oral History Association’s Best Book prize for 1993-1995.  Frisch is the author of A Shared Authority: Essays on the Craft and Meaning of Oral and Public History (1990). He has served as editor of the Oral History Review (1986-1996); as President of the American Studies Association (2000-2001); and as a board member for the New York Council for the Humanities and the Federation of State Humanities Councils. His recent work in new oral history applications of new media technology is being developed through his consulting office, The Randforce Associates, LLC, based in the University at Buffalo’s Technology Incubator.

This symposium is made possible through support from the Documentary Heritage Program of the New York State Archives, the New York State Council on the Arts, and the National Endowment for the Arts.